珠海億緣文化重器《琺琅彩軋道六方花觚》發展歷史與鑑賞

琺琅彩軋道六方花觚

六字篆書款

瓷胎畫琺琅是清代皇室自用瓷器中最具特色，釉上彩瓷中最為精美的彩瓷器。從康熙的色濃莊重至雍正的清淡素雅，到乾隆時的精密繁複的雍榮華貴，使琺琅，這一洋味十足的彩料在瓷器上得到淋漓盡致的發揮。集中西風韻於一身，畫盡了皇家身份的高貴與榮華。乾隆琺琅彩瓷是清代康，雍，乾三代琺琅彩瓷中最為精美的巔峰之作，具有古典美的乾隆仕女遊園罐是其代表。

Porcelain painted enamel is the most distinctive of the royal porcelain of the qing dynasty。 From the color of kang xi heavy and grave to the delicate simple elegance of yongzheng， to the delicate and complicated elegance of qianlong， make enamel， this kind of colorful material with good taste gets incisively and vividly on porcelain。 Concentrate the west charm in a body， the picture exhausted royal status of dignity and glory。 Qianlong enamel porcelain is the most exquisite peak of qing dynasty kang， yong and dry porcelain of three generations

凡提及琺琅彩，通常特製瓷胎畫琺琅，其創燒自康熙一朝，為中國陶瓷史上最為璀璨的一顆明珠。康熙皇帝視野開闊，不但弘揚漢學，同時潛心西方格物之學，注重務實，積極吸取外國先進文明，對西方的科學和藝術均保持著開放的心態，彼時自歐洲傳來的琺琅器、玻璃器等舶來品頗得康熙皇帝青睞，特命耶穌會傳教士主持琺琅作、玻璃廠加以仿製，在歐洲傳教士與宮廷畫師、御窯工匠的通力合作下，琺琅彩瓷終於橫空出世，創前世未有之奇。琺琅彩製作考究，胎體甄選珠山御窯特製白膩素胎入京，畫師以丹青妙手於其上添畫施彩，燒成於紫禁城內養心殿側造辦處中，專為帝王御用，存世稀少，至為珍貴。彩料及繪畫技法均吸收西方工藝技法，題材甚具異域西洋意趣，並化裁宮廷院畫風致，畫法著重寫真自然，以光影明暗營造質感、深度及透視，彩料明麗凝膩，氣息妍美清新，其品質精絕，驚豔古今，煥發彩瓷魅力之新姿采，下啟雍乾御窯華麗彩瓷之先聲，為清代彩瓷之冠。

When it comes to enamel， usually specially designed porcelain tire painting enamel， created since the reign of emperor kangxi， is the most brilliant pearl in the history of Chinese ceramics。 Emperor kangxi vision， not only promote sinology， and standard of the western learning at the same time， pay attention to practical， actively absorb foreign advanced civilization， science and art of the west are keeping an open mind， then from the Europe of enamel， glass and other import pode emperor kangxi， jesuit missionaries， presided over by imitation enamel， glass， court painter， imperial kiln in the European missionaries and craftsmen， under the cooperation of colored enamel porcelain was born at last， a past no singular。 Enamelware made in exquisite， the body selects the pearl hill royal kiln specially made white and white pigment foetus into Beijing， and the painter USES the painting on it with the fine hand of Dan qing， and it is burned in the side building office of yangxin hall in the Forbidden City。 Color and painting techniques are absorbing the western technique， subjects with great interest and exotic western and and cutting YuanHua wind-induced palace， pictorial illustration on natural， with light texture， light and shade depth and perspective， color material coagulation greasy， bright and beautiful shes beautiful pure and fresh， its quality clue， an ancient and modern， new color porcelain fascination， the rev YongGan precede the imperial kiln of gorgeous color porcelain， to the qing dynasty porcelain crown。

區域性展示

清雍正年制琺琅彩軋道六方花觚描金成對，本品形制沉穩端莊，口沿方正滿色，線條柔美，胎體渾厚堅質，為清宮中最為經典的陳設造型。其黃地，通體施釉，內壁軋道紋飾，可見所施釉水均勻明潤。外壁自足端至口沿均以黃、粉、金、松石綠釉為地，色澤殷黃沈鬱，厚重而有質感。

This product is composed and dignified in shape。 The mouth is full of color， the lines are soft and beautiful， and the body is thick and hard， which is the most classic display model in qing palace。 Its yellow ground， the whole body apply glaze， the inner wall of the track embellish， visible that apply glaze evenly clear。 The self-sufficiency of the outer wall to the mouth edge is based on yellow， powder， gold， turquoise green glaze， color Yin huang shen yu， thick and textured

底部落款

黃地琺琅彩此件藏品俯仰有致，風姿綽約，佈局繁密有致，而不減清疏之氣，益見設計構圖之佳妙。各種釉色為典型的琺琅彩料，釉彩凝厚鮮亮，清新雅緻；黃綠粉三色花卉靜放，平添意趣。繁密而有條不紊，色階繁多而柔和，層次清晰，立體感強。六方花觚紋飾為五穀豐登，開光為博古紋，工藝為浮雕，一方抵十圓，工藝極為複雜。此對藏品具有很好的收藏價值投資價值和觀賞價值。

This collection of yellow enamel color is graceful in pitch， graceful in style， compact in layout， and not less clear and sparse in air。 Various glaze colors are typical enamel color materials， the glaze color is thick and bright， fresh and elegant； Yellow， green， pink and tri-color flowers stand still to add interest。 Dense and methodical， various and soft color levels， clear level， strong three-dimensional sense。 The hexagon vase is decorated with rich grain， broad ancient grain， embossed on one side and round on the other。 The process is very complicated。 This has a very good value for collection investment value and appreciation value。